‘I really wanted that student to feel censored’: A poetry class confronts slurs, and finds grace

Jennifer L. Knox | Washington Post

Words that hurt people — like slurs against races, religions, ability levels and sexual orientations — can stop all forward momentum in a poem. Writing a poem is like cooking a dish, and words are your ingredients. Some words will render your dish sickening — even inedible.

Read more: https://www.washingtonpost.com/news/grade-point/wp/2018/04/09/i-really-wanted-that-student-to-feel-censored-a-poetry-class-confronts-slurs-and-finds-grace/?utm_term=.ddfeb6087e7e

‘Women’s bodies were absent from Irish history, except as tools, cyphers or vessels’

Kathy D’Arcy | The Irish Times

I’ll just say what I say whenever I read my work: that I wish I could write poems about flowers and horses and The Odyssey, but that that won’t be happening until I can prise de Valera’s cold, dead hands off my uterus. I can feel them there when I say the words, grasping, assaultive. I can feel them giving way, wizened interphalangeal joint by joint.

Read more: https://www.irishtimes.com/culture/books/women-s-bodies-were-absent-from-irish-history-except-as-tools-cyphers-or-vessels-1.3455458

‘The Recovering’: One young writer’s intoxicating journey to sobriety

Matt McCarthy | USA Today

Jamison made a name for herself in 2014 with The Empathy Exams, a wide-ranging collection of essays that catalog poor choices, bizarre setbacks, and her complicated relationship with alcohol. In The Recovering, we learn that the romance with booze has faded — she increasingly finds herself drinking alone, vomiting during blackouts— and Jamison gradually acknowledges that she’s an alcoholic.

Read more: https://www.usatoday.com/story/life/books/2018/04/03/book-review-recovering-intoxication-and-its-aftermath-leslie-jamison-alcoholism/471204002/

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